Tuesday, February 16, 2010


今天上班迟到,下午喝茶丢包,逛完超市不见帽,回家发现炉子临走没关掉。

I was late for work today
Then left my bag in a café
A visit to the shop made me lose my beret
And back home, I noticed I had left the cooker on all day!

(Second version)

I was very late in getting out of my chateau
Left my bag in the café after a piece of gateau
A visit to the shop, and I lost my chapeau
When I got home,
the cooker was still on,
the pot was all dry, without a single drop of eau!

Sunday, February 14, 2010


传奇

刘兵词 李健曲

只因为在人群中多看了你一眼

再也没能忘掉你的容颜
梦想着偶然能有一天再相见

从此我开始孤单地思念
想你时你在天边

想你时你在眼前

想你时你在脑海
想你时你在心田

宁愿相信我们前世有约
今生的爱情故事不会再改变

宁愿用这一生等你发现
我一直在你身边

从未走远

A Tale of Magic

By Liu Bing & Li Jian

In a crowd of faces, I saw you, and I looked again

From then on, all my efforts to forget you were in vain

Dream I did, that I would chance on you one more time,

in the days that remain

And that was when I began pining for you, lonesome and insane

When thoughts of you flood over,

You wander on the edge of the heavenly domain

When thoughts of you flood over,

You stand before my eyes, clear and plain

When thoughts of you flood over,

You are incarnated into the real, from the memory lane

When thoughts of you flood over,

In the pit of my heart, you have resided and lain

I'd rather -- believe we share a bond that our past lives did ordain

And this life's story shall not change, shine or rain

I'd rather -- await your attention in a lifelong campaign

For I'm always here,

within the reach

of your rein

http://www.youtube.com/watch?v=tJNQJLJ34TM

Wednesday, January 06, 2010



今天在窗口拍了一张照片。令我想起一首打油诗:
《咏雪》
江山一笼统
井口黑窟窿
黑狗身上白
白狗身上肿

刚才突然意识到,这首打油诗是可以翻成英文的。我试了一下:

Landscape is a blur, boundaries one cannot tell
The only dark hole is that of a well.
As black dogs whiten
White dogs swell.

Monday, December 14, 2009


一个人在日常生活中应该保持一种淡淡的欢愉。有了这种欢愉感,才会产生并维持“活得有意义”的感觉。

但情绪犹如钟摆,如果向左是喜,那么向右就是悲。若出现大喜,迟早会摆到大悲那一侧。

不可取。

但它在小幅振荡时,应能大致维持在左侧摆动。这就需要一点点能量把它向左推,这种能量有两个来源:内部和外部。缺一不可。完全靠内部能量源的,就是山里的修仙者,而且是成功的修仙者,但他们的问题是与外部世界没有交集,甚至把外部世界给“否定”了,同时也就把一滴水跟大海的纽带割断了,到了知天命的年龄做出这样的选择,完全可以理解。完全靠外部能量源的,这样的人很多,而且越来越多:成天去增加自己的物质占有量、寻找让自己“开心”的事情做,忙得不亦乐乎,喜气洋洋地抱怨自己快累死了。其实这些人在潜意识层面上是害怕停下来,害怕自己开始“想”事情。就像惊悚片Speed(生死时速)里的情节:那大巴一旦减速或者停下来,炸弹就会触发!

若将这两种能量源结合起来,一来比较现实,二来比较有效,而且可以给自己创造一个收放的空间,不容易“累”。轻松地欢愉着。

这就是中庸之道,the golden mean:在出世和入世之间找一条既出世又入世、非出世亦非入世的道路。

天下熙熙,皆为利来;天下攘攘,皆为利往。其实,这句话只要将“利”改成“幸福”,就完全正确了。“利”只是手段,“幸福”才是目的。原来,人们一切有形的追求,最终还是为了服务于无形的某种“感觉”而已!!!

Sunday, November 29, 2009


我向来对宇宙学的一些理论存疑,但由于自己基础知识太薄弱,觉得所有的疑问均源于自己的无知。就像宗教信徒即使对自己信奉的理论体系有疑问,也没有太多底气去打破沙锅问到底:有人给你解释了,你若还是不理解,这时你自己或他人就会告诉你,这是因为你是以凡人的线性思维去试图弄明白,是徒劳的,权威已经有定论了,你省省吧!

昨天在搜索“差分仪”这个词时,不期然撞见了吴裕祥的文章,顿时眼前一亮!关于时光旅行的辩驳,很合我的口味。也许这个问题早就有人提出来过并被解答且证毕了(而且是令人信服的解答,最多加上一句免责声明:“这个理论具有臆测性”),但Hawking那段文字的漏洞怎么解释呢?太好玩了!我退休后要认认真真地研究这些玩意儿。(顺便提一下,文中提及的《科学家谈21世纪》,是我童年时最爱的一本书。)

有关内容黏贴如下:

霍金在《时间简史》中,详细解释事件光锥如下:

“如果有一个光脉冲从一特定的空间的点在一特定的时刻发出,在时间的进程中,它就会以光球面的形式发散开来,而光球面的形状和大小与源的速度无关。在百万分之一秒后,光就散开成一个半径为300的球面;百万分之二秒后,半径变成600;等等。这正如同将一块石头扔到池塘里,水表面的涟漪向四周散开一样,涟漪以圆周的形式散开并越变越大。如果将三维模型设想为包括二维的池塘水面和一维时间,这些扩大的水波的圆圈就画出一个圆锥,其顶点即为石头击到水面的地方和时间。

类似地,从一个事件散开的光在四维的空间——时间里形成了一个三维的圆锥,这个圆锥称为事件的未来光锥。以同样的方法可以画出另一个称之为过去光锥的圆锥,它表示所有可以用一光脉冲传播到该事件的集合。” (黑体是我加的。)

因为这段话是如此地重要,是我直斥霍金科学地撒播荒诞的主要依据,我把后面几句他的英文原文抄录在这里:(黑体是我加的。)

Similarly, the light spreading out from an event forms a (three-dimensional) cone in (the four-dimensional) space-time. This cone is called the future light cone of the event. In the same way we can draw another cone, called the past light cone, which is the set of events from which a pulse of light is able to reach the given event Figure 2:4.

英文原文比中文译文更清楚地显示了霍金先生不可思议的逻辑混乱和概念偷换!顺便说一下,最后一句话的中文译文是不够妥当的,正确的译文应该是:

“以同样的方法可以画出另一个称之为过去光锥的圆锥,它是许多事件的集合,从这个事件集合一条光脉冲能够到达一给定事件。”

但不管怎么译法,在这几句话里,霍金都说得很明白:未来光锥是一“事件散开的”在四维的空间——时间里形成的一个三维的圆锥,怎么就能变成了事件集合呢?请读者自己去霍金或者爱因斯坦的著作里找一找,“事件散开的光”怎么就能变成了“事件”本身呢?经过了任何证明吗?还是就这么含含糊糊地说着说着就把上一句说的“事件散开的光”,在下一句里用一个莫须有的“同样的方法”糊弄成了“事件”本身呢?如果是这样,世界上还有比这更不严肃的“科学”推理吗?用这样的所谓“科学”名正言顺地围剿我们的传统文化,是我们可以接受的吗?

我在这里公开请求霍金先生:请您把这光和事件的玄妙的转换解释清楚。用数学也行,用老百姓的语言也行,别这么含含糊糊地蒙着数学的斗蓬变魔术!或者您就明明白白地告诉我们这类没想象力的人,您是在写科学幻想作品,骑着光脉冲去执行爱因斯坦的杀父任务。

我的这些文字是很尖酸刻薄。可是,想起我自己和我这一代人,从小起在做人的道理上被教导得傻不拉叽,读书后在科学的道理上又被这些权威糊弄得昏天黑地,心里怎能没有气?

记得小时候读一本《科学家谈21世纪》,里面讲到如果我们能比光跑得快,就能追上过去追上历史。自那时起就念念不忘,常常就着这话题作儿时的幻想少年的梦。长大后思路开阔了一点,人生阅历多了一点,偶尔再就着这话题想起来,就见到无数的破绽,把它当作不值一谈的少年梦付之秋风。不料今天还要来严肃地讨论它。

我发现了吴先生这段文章里的有个不大不小的问题:他误解了Hawking原文中某一层的意思!首先,“到达一给定事件”应译作“到达这一给定事件”。其次,发出光脉冲的不是事件集合,而是那个事件集里的每个事件,换言之,那个定语从句修饰的是events,而不是set of events。这样就比较容易理解这段话的意思了:光必须有光源,这里姑且把每个光源称为事件。光锥本身是虚的(只有光,没有事件实体),但它的来源是事件实体。

我怀疑Hawking的表述只是不够精准,他可能想说:In the same way we can draw another cone, called the past light cone, which is the product of a set of events from which a pulse of light is able to reach the given event.

他“可能”并不想说,光锥本身是事件!

即便如此,吴先生的质疑依然有效:这个给定事件的未来光锥散发出去形成光球面,这个光球面不是事件,更不是事件集合,但它的过去光锥源头却是事件集合?

这里牵涉到时间维度。事件A的过去光锥不是事件A散发的,而是发生在过去的事件B、C、D、E、F、G的各自光锥射向事件A形成的,因为事件A处于过去这些事件的各自光锥的结合点。

但这里的问题是:往事的“光”,对未来的事件有影响吗?在绝对意义上来说,不可能没有影响。但这是什么性质的影响?假如真的有大爆炸,那么那个事件的过去光锥是什么来源?

我要弄本A Brief History of Time,再读一遍。第一次读没有下功夫。


Wednesday, November 25, 2009




Date: 25 Nov 09
Venue: Palais des Nations (HQ of UN Office at Geneva)
Occasion: Wushu Performance, hosted by Chinese ambassador to UN Office at Geneva




Immediately after the show, I wrote the following to mark the event. You don't get to see such a performance very often in this neck of the woods.




After an agonisingly verbose, but understandably indispensable (thus graciously suffered by the audience), drone of opening speeches by a few dignitaries, the show begins, not to the rousing gongs and drums that typically usher in a traditional Wushu performance, but to the blasting decibels of a pick-n-mix concoction of Chinese folk music plus revolutionary Peking opera plus Cantopop plus disco beat and what-not.

The emcees (one gorgeous-looking female and one slightly shy but nonetheless presentable male) speak in English and French alternately, but the guy's voice fails to rise above the ambience-critical music throughout the show. Luckily for me, he is the one who speaks French. Obviously, at some subconscious level, the organiser believes the melodies, albeit less than melodious most of the time, are more integral to the show than some feeble commentaries, especially if they are delivered in French.

The emcees introduce the lineup. Impressive! Thirteen national and world champions and the rest, silver medalists. Each performs a short routine of what he or she is best at, as a silent/nonverbal self-introduction. The guy with the lance is a little unfortunate: The shaft breaks in two during that short routine. "I hope he has a spare one", I think to myself. Later, it turns out that he does have a spare one, but the ornamental tassel below the spearhead looks half-shorn, presumably because there isn't enough time for him to fasten all the strands of the tassel in place.

The first proper performance is a warm-up routine. One expression comes to my mind: gravity-defying. When Jet Li's films were introduced to the West, that was the word that the Western media often used to describe his feats. So very apt.

However, as they repeatedly leap into the air and do one somersault after another, I begin to worry: Won't they burn out at this rate? I mean – this is only the first routine. Save your energy, kids!

But I am proven wrong, subsequently. They are bursting with bountiful energy, each jumping higher than the previous person and showing not the slightest fatigue.

Highlights include:

(5) Swordplay by Shen Guangmei, silver medalist at the 11th National Games. Comment: She flows.

(6) Broadsword routine by Zhang Bo, gold medalist at the National Wushu Championship. Comment: Speed backed up by a lot of power.

(9) Double broadswords (wielded by Zhang Li, gold medalist at the 10th National Games) against two lances (in the hands of Ji Taijing, silver medalist at the 11th National Games, and Shen Guangmei, ditto). Comment: Zhang Li would be super efficient in the kitchen with double cleavers. Just imagine two spears darting at you at all angles, like woodpeckers, and you have to fend them off with two pieces of flat metal and eventually snatch away their weapons and chop them in half (hypothetically, I hasten to add)!

(10) Group performance, southern style, by Zhou Jing (gold medalist at the 9th World Wushu Championships and the 7th Asian Wushu Championships) et al. Comment: Yummy! Zhou performs the first form of Wing Chun/Yongchun, at dazzling speed, to make it look more powerful and more entertaining. He also spars with each of his three teammates, using predominantly the Hong style techniques, not Wing Chun. Regrettably, the final stroke is invariably a kick, which is more characteristic of the northern style.

(11) Taiji by Dong Qing (20 years old, gold medalist at the 1st World Junior Wushu Championship and the 2nd Asian Junior Wushu Championship, one of the Taiji performers at the Opening Ceremony of the Beijing Olympics) et al. Comment: Solid training, with inspirational flair. A thorough joy to watch!

There is no intermission, but according to the programme, (1)-(11) is the cluster of competitive styles (competitive in the sense of being performed at national games and international championships). It is followed by a cluster of "traditional" styles. The most impressive among this lot is Xingyiquan (Form-and-Mind Boxing) performed by Zhou Jing, yes, the southern-style guy. Xingyi is one of the three "internal" schools of martial arts, the other two being Taiji and Bagua. Unlike the latter two, Xingyi doesn't readily lend itself to "performance" on stage. But Zhou does a very decent job by demonstrating the essential Xingyi moves while letting the audience sense the power that surges within.

This 30-year-old guy is truly amazing, as he then surprises the audience with a somewhat comical rendition of sparring performance: Hammer versus cudgel, with him brandishing a long-handled hammer and his hopeless opponent taking him on with a pole. And he is not even puffed out when he, quite literally, "nails" his hapless mate in the end!

It is an evening of jolly good fun. Triple thumbs-up to the young performers. I want to shout bravo or encore, but (a) I sit too far away from the stage and I am aware that the emcee, with the help of the PA system, can't even beat the music; and (b) I sit among a group of ladies, so the sheepish side in me gets the better of my other side, whatever that other side is!

QED


Friday, November 13, 2009


食、色,性也。
两者均为手段。
其目的:食-->生存;性-->续存。
共同的终极目的:永生。

在形而下的范畴,永生的必要手段暨唯一手段就是生儿育女。
因为
在形而下的范畴,“灵魂”就是基因,就是DNA承载的遗传信息。

基因传下去了,绵延不断(若可能的话),实体的永生就实现了。

但人生的不如意(苦)和自然的不可知(惑),让人将自我的生存状态分为形而上和形而下这两个域(虽然这个分野是朦胧的,甚至不确知的)。“我”同时并存于这两个域,而“我”的“意识”却在不同的时空点,时而“上”,时而“下”。

不同的人,侧重点亦不同,于是有了几乎只对形而下的自体的生存和续存感兴趣和几乎只对形而上的灵魂的生存和续存感兴趣这两个极端,以及这两个极端之间的无数个频段。

形而上的“我”,是解放者,将物理的束缚解而放之,并为在理论层面上寻找人生意义的人提供一种超脱的空间和机会,去探寻这种理论意义,让主体能够因理论意义的落实而感到安全和充实从而感到更加幸福(同时也可能因探寻的失败而得出否定自体生存的理论意义的结论并由此得出否定“存在”之任何意义的结论);形而下的“我”,是务实者,务食、色之实,并承载形而上的所有活动。

那些探寻人生的理论意义的努力,通常是以失败告终,但如果你能拐个小弯,接受宗教,则万事大吉。

宗教,就是路旁的一扇扇小门。

而这条路就是寻求“真理”的道路。寻求理论上的人生意义的道路。

反正这条路没有尽头,你迟早会走累。没事儿,总有一种宗教或者某一揽子宗教理论,契合你迄今为止走路的心得,让你产生走到尽头的主观感觉(而筋疲力尽的你也非常需要有权威告诉你,你已经登顶了)。一拍即合。

这就叫“得道”。

得道之后,可以歇一歇,理一理思路,沉淀一下。

只要你的脑袋没坏掉,迟早会再次启动,在貌似没有问题的地方找出新问题,然后继续去寻找答案。

如果你没有退出之前走进去的路边小门,那么此时你就会沿着新的方向前进,一般来说,这个方向就是那个具体的宗教所设定的前提性方向。

如果你找到了一些答案,而且经过验证,可以回答那些新问题,那它们将成为这种宗教的思想库中新的财富。

咦,我是在谈宗教吗?这不是科学的特点吗?

啊哈,原来宗教跟科学,本质上并没有区别。

Friday, October 16, 2009


今年3月3日写的博文,提到当年一位咏春拳友向我介绍的量子力学实验,今天在BBC的一篇文章里看到了关于这种实验以及这种现象的深入浅出的说明,黏贴如下:

TELEPORTATION

The theory: Going from here to somewhere else without passing through anywhere in between.

The science fiction: Beam me up, Scotty.

In practice: Take two particles of light and entangle them - now you can teleport quantum information - such as what their spin is - from one to the other, instantaneously.

The layman's explanation: Photons, particles of light, have a property called "spin". This can be up, down, or a mixture of the two. Alice has a photon, and she wants Bob to have one with the same spin. She can't send him hers because the Post Office is on strike, and she can't measure her spin and phone him, because the measurement can change the spin.

Fortunately, the last time she met Bob she gave him one photon from an entangled pair, and kept the other. "Entangled" means that the two photons were prepared so that their states were related in a special way. Alice lets her photon interact with her other photon from the entangled pair. This instantly teleports information about the spin to Bob's half. However, he can't "read" that information until a message arrives by more conventional means. A quick call on Alice's mobile, telling him some measurements she has made, now puts his entangled photon into the desired state.

Quantum "teleportation" destroys the original state and can't be used to send messages faster than light. It doesn't actually teleport matter - just quantum information.

Coming to a store near you?: In 1998, the quantum optics group at Caltech used "squeezed light" to teleport the state of a photon in a laboratory. It's now been done with atoms, too. In 2004 Austrian physicists teleported the state of a photon across the Danube river. Within another century it will be an amoeba. But be warned: when you are teleported, your body will be ripped to shreds and rebuilt at the other end.


Sunday, October 04, 2009


to traumatise

如果是指造成精神上的“创伤”,在英汉词典里普遍都缺了一个对应词:“刺激”。当然“刺激”的语义范围更广,但其中有一个义项是完全可以对应traumatise的。另一个比较贴切的对应词是“打击”,但很多词典也没列出。

Tuesday, September 29, 2009


有个比较新的名词,叫做“小三”。
这个词如何翻成英文?
无意中看到一种表达法,用作“小三”的对应词,非常贴切:

a bit on the side

Wednesday, September 16, 2009


香港室内是全面禁烟的。因此办公楼周围的垃圾桶,经常围着上班族烟民,其中的女性往往站得稍远一点,优雅地夹着烟,需要磕烟灰时才会走近垃圾桶。但大家抽得都比较匆忙,毕竟觉得有点别扭,我猜。

我的剃头师傅说,当地人称之为“打边炉”,即“吃火锅”。非常形象。

大约一年前,在小区附近,经过一家银行门口时,看到一老一少围着附近的垃圾桶,边聊边抽着烟。“少”的是女性,身材魁梧,打扮朋克,约莫18-19岁。“老”的五十左右,一个干瘪的男人。

有一老婆婆从旁边走过,对那男人说:“哎呀,你好,好久不见了。”男人咕哝了一下,算是回应,而且神态不自然,部分原因是老婆婆的嗓门儿忒大,把周围的眼球都吸引过来了,投射在舞台中央的那“打边炉”的一老一少。

那姑娘干脆把头扭过去,眺望远方。

老婆婆:“这是你女儿吧?”
男人:“嗯。”
老婆婆:“这么高大了,真是好。”
男人:......
(此时姑娘转过头来,向老婆婆轻轻点了点头。)
老婆婆:“唉,真好啊,我家那位到现在还是不会说话......”

(我这个路人甲突然明白了,老婆婆的孩子有残障。)

那父女二人当然早就知道这事儿,但老婆婆那句话一出口,他们还是僵住了,不知如何回应。

老婆婆继续前行。我也走出了那个气氛凝固的圈子。

Thursday, July 30, 2009


这几天中国的官方媒体开始批评在报道群体事件时,公式化地使用“不明真相的群众”这种提法。

想到一个比较俏皮的、带贬义的译法:the clueless mob。

我知道在正式翻译时不能这么翻,但这个译法恰恰是信息发布者的本意!

Monday, July 27, 2009


一位朋友看了我前天的博文,评论道:上帝吹气,只给予生命,不传递基因,好像做人工呼吸,呵呵。

我的回应如下:

是呀,我可能也只是扮演一下孙悟空,故意“挑衅”,其实不关上帝的事儿!上帝就是那个第一推动力的拟人化,这一推以及后来的演变,其大规律就是“道”,姑且将其附会成“大爆炸”(台湾叫“大霹雳”--很妙)以及后来的宇宙膨胀(这叫“生”),同时也有“灭”(就是热力学中的“熵”),只是生大于灭,这就是印度教中湿婆的生灭两重性;等到熵积累到一定程度,过了生灭平衡点,灭就大于生,宇宙开始收缩,原有的存在开始“毁”,而且不是不破不立,而是破而再破,直至宇宙回归到视界下的“存在”或“不存在”(即重力奇点,因为在视界下了,因此它对于感知来说,已不复存在),但“生机”依然蕴藏,只是这种生灭循环在这个阶段达到了道家学说中的“子时”。

这样的大规律就是“道”。

但这个大规律演变过程中种种的ramifications,包括生命以及人类的来去,是没有终极影响的(例如,人无法改变宏观的规律运行)。但人间的价值观却将这种生灭过程分别贴上善恶的标签。

是的,生灭与善恶大致相对应。也大致对应阳与阴。

Saturday, July 25, 2009


这几天工作很紧张。今天休息了一下。刚才看了Indiana Jones and the Kingdom of the Crystal Skull。曾在飞机上看过,所以这是第二遍。我觉得还可以,虽然影评比较负面,可能是因为大家的期望值太高了。情节的铺排似曾相识,最后总是在某个能量中心或者某个魔窟决一死战,不能免俗。不过想想, is there an alternative? Probably not!

Cate Blanchett演的女一号,也就是女魔头,最后对着正在复活的外星人的骷髅头,喃喃地说:I want to know. I want to know. 对方将某种能量注入她的双眼,显然给了她神通,她喜悦地惊呼道:I can see! I can see!

最后,由于注入的能量太强了,她开始受不了了:Enough! Enough。太晚了。能量继续灌注,直到她双眼焚烧、四大解构。灰飞烟灭。

啊哈,原来她尝了禁果。

琼斯博士没有她的“贪婪”或者“勇气”,及时拿定主意,不想离开原来的时空维度,全身而退。禁果放在面前,他没有尝。

再回头看看《圣经》中的禁果故事。

被禁吃的果子是哪棵树上的?分别善恶树上的。

什么叫分别善恶树?

其实,在我看来,就是人世间的价值观。

在吃禁果的那个瞬间,“人”的性质变了:从“自发”走向了“自觉”。

偷吃之前,人是原始态,继续“自发”下去,可以直接得“道”,变成老子。偷吃之后,成了孔子。

老子的状态,孔子的状态:谁的烦恼多?

分别善恶树,就是烦恼树。

有几个问题:
分别善恶树上的果子,是真理还是谎言?
善恶是相对的还是绝对的?人间的善恶标准是否适用于其他生命体的境界?
上帝造人的时候为何给了他自由意志?
如果上帝认为亚当还没有资格了解善恶,为何早早地就给他能够理解善恶的智慧?

所有的线索显示,上帝是设了一个局,做了一次实验:看看一个有自由意志、又有充分智力的生命体,让他过着好日子,不愁温饱,看他是不是必然会“往下走”。

估计上帝做了许多实验,但我们作为地球人,只知道这一个实验,而且当时这个实验的结果是负面的(对于被赶出伊甸园的那俩人的后代而言);其他实验的结果,我们不得而知。也许“天使”就是其他“更成功”的实验的产物。Who knows?

接下来的问题还有很多,例如:
上帝按自己的样子,捏出来一个泥人儿,给他吹了一口仙气。应该说,这个泥人儿就带上了上帝的DNA,因为那仙气来自上帝,而不是来自其他渠道。那么,谁能断然确定,亚当的好奇心、叛逆性不是遗传的呢?上帝为何不在基因里植入很强的规范性机制,让亚当和他的子孙永永远远服服帖帖,安心沐浴于他的恩泽呢?这,对于上帝来说完全是举手之劳啊。当然可以这么解释:好奇心、叛逆性均源于愚痴,相当于佛教中的“无明”,他是在自己的智慧充分发育之前被诱惑的。但即使这样解释了,还是不能排除遗传因素。

可怜的人类,永远只能猜测。我相信无人可以圆满地解答这些问题,最多能有个高人过来接受这个挑战,不按牌理出牌,只用极强的思辨能力带着我跑迷宫,把我绕得把原先的问题都忘记了为止,就像玄奘降伏顺世外道那样。当年(1989),摩门教的几个小伙子跟我论战,第二天搬来他们的老师,第三天又搬来辩才无碍的某位高手(很年轻,是博士,显然在他们圈子里江湖地位很高),那第三位就是把我绕进去了,我最后把自己的问题给忘了,也没力气了,不了了之。但我喜欢他们的地方在于,他们一开始就尽量不引用经文或他们既定的理论体系(例如他们的三大王国/境界理论),对我很尊重。

还是那句话:The highest knowledge of God is to know God as unknowable.

第二句:每个人都是各取所需地理解宗教(或抗拒宗教)。这个“需”太复杂了,要厘清,几乎不可能。

这是因为,我们每个人仍然拥有当初犯下“原罪”的那些要素:认知能力和自由意志!

这些要素是双刃剑:没有它们,人就不成其为人;有了它们,人就不可能没有烦恼。

既然祖先替我们做了抉择,我们怨“天”尤“人”是没用的,只能接受其后果,沿着自发--自觉的方向,从自在走向自为,再回归更高层次的“自在”:

Be, without consciousness
Become conscious
Be, consciously!

惑,并存在着-->不惑-->从心所欲
(注:我擅自刨去了“不逾矩”,回归心物一元,何“矩”之有?)

唉,本来可以 Just Be,什么烦恼都没了,多省事儿啊!要吸取教训,以后吃果子时确实要三思:确定要吃吗?算了吧!锅里还有粥,纱橱里还有几根腌黄瓜。

Thursday, July 16, 2009

不同的宗教是有一些共同点的。其中一个重要的共同点,是它们都试图/努力让信教者:

活得开心,死得放心

而且要平衡,不能厚此薄彼。

钻牛角尖的人或者狂热的信仰者,更重视后者,生前却拒绝拥抱快乐,因为“终极”的目的还没有达到。在我看来,这是与初衷背道而驰的。

毫无精神追求的人,似乎对后者不感兴趣,但其实它是绕不过去的,最多在意识深层把它暂时压下去,通过外在的追求来说服自己:我是快乐的!年龄大了,外在追求的效果渐弱,对“身后”事的不确定感又会冒出来,之前压得越厉害,这时冒得越凶,生理和心理的症状全出来了。

宗教是“自我”的延伸,是“部落本能”的圣化,是加了光环的“文化”,而皈依某个宗教其实就是加入了某个俱乐部。

本人也许有厚佛教、薄其他宗教的倾向,但对于许多佛教徒来说,上述几项定义同样适用,虽然佛法非常强调去“我执”,但“我”很会变啊。其他几种宗教的信众更不用说了:“我”的信仰是唯一正确的。你的信仰“不可能”正确,我听都不用听。因为你不是我们俱乐部的。

接下来的问题很重要:“我执”有何不好?如果这个“我”,不是“小我”,是“大我”,难道也不好吗?

“我”再大,也只是放大了的“部落本能”。因为我们是“人”。因为我们这个世界尚未实现“大同”。

有了“我执”,就有了部落间的分野,就有了资源分配的厚薄,就有了我对你错的争论(其中一些人通过接受教育、通过思辨可以掩盖这种本能)。

就有了战争。

以宗教名义打的仗、杀的人,还少吗?

要命的是,以宗教名义杀人,是“替天行道”,同一个俱乐部的人即使有疑问,见到尚方宝剑也就不敢再怀疑了。何况还有不少后续的甜头,俱乐部的成员都可以尝到。时间长了,脑袋里智力层面的一点疑问,也就被胸腔里澎湃的感情和肚子里鼓荡的生命能挤掉了。

这,就是“部落本能”的威力。

All is well.

All is well?

Sunday, June 21, 2009


在我这辈子看过的书当中,如果有人要我挑一本自己最重视的书,我会毫不犹豫地说:Anthony de Mello 的 Awareness。

这本书是咏春师兄Alec Lau推荐的,那是1997年下半年的事情。而他又是在我们的师父Nino Bernardo (http://www.ninobernardo.com/)的推荐下去买来看的。

第一次认识Alec,是在咏春拳班上,练习“单黏手”时他跟我配对,他见我像中国人,问:你是中国人?我说是的。他又问:是中国土生土长的?我说是的。他眼睛一亮,说:你真幸运!我问他何来此言。他答道:你是中国人,又在中国土生土长,岂不是非常幸运吗?我这才明白,他是拿我跟他自己相比:他是华人,却在牛津土生土长。Identity crisis很严重,后来发生的一切说明了这种“定位不确定性”对他的影响有多么深。此处按下不表。

他悟性很强,又很好学,能举一反三,是个不可多得的人才,咏春打得很好,刚学了几个月,就到另一家咏春拳馆踩馆,居然把那一家的师兄级人物打败了。有人向Nino告状,Nino就将他逐出师门,后来大师兄Eddie为他求情,Nino终于心软了,半年后让他回来了。

我教了他一些基本的气功功法,他很感激,在帮我恶补咏春基本功之余还买了一本Awareness送给我。

这就是缘起。

这本书不厚,184页。在人生低谷中,能找到一本书真正像灯塔一样照亮自己的心,这是一件非常幸运的事。

信手翻到第78页...

Four Steps to Wisdom

The first thing you need to do is get in touch with negative feelings that you're not even aware of. Lots of people have negative feelings they're not aware of. Lots of people are depressed and they're not aware they are depressed. It's only when they make contact with joy that they understand how depressed they were. You can't deal with a cancer that you haven't detected. You can't get rid of boll weevils on your farm if you're not aware of their existence. The first thing you need is awareness of your negative feelings. What negative feelings? Gloominess, for instance. You're feeling gloomy and moody. You feel self-hatred or guilt. You feel that life is pointless, that it makes no sense; you've got hurt feelings, you're feeling nervous and tense. Get in touch with those feelings first.

The second step (this is a four-step program) is to understand that the feeling is in you, not in reality. That's such a self-evident thing, but do you think people know it? They don't, believe me. The've got Ph.D.s and are presidents of universities, but they haven't understood this. They didn't teach me how to live at school. They taught me everything else. As one man said, "I got a pretty good education. It took me years to get over it." That's what spirituality is all about, you know: unlearning. Unlearning all the rubbish they taught you.

Negative feelings are in you, not in reality. So stop trying to change reality. That's crazy! Stop trying to change the other person. We spend all our time and energy trying to change external circumstances, trying to change our spouses, our bosses, our friends, our enemies, and everybody else. We don't have to change anything. Negative feelings are in you. No person on earth has the power to make you unhappy. There is no event on earth that has the power to disturb you or hurt you. No event, condition, situation, or person. Nobody told you this; they told you the opposite. That's why you're in the mess that you're in right now. That is why you're asleep. They never told you this. But it's self-evident.

Let's suppose that rain washes out a picnic. Who is feeling negative? The rain? Or you? What's causing the negative feeling? The rain or your reaction? When you bump your knee against a table, the table's fine. It's busy being what it was made to be -- a table. The pain is in your knee, not in the table. The mystics keep trying to telll us that reality is all right. Reality is not problematic. Problems exist only in the human mind. We might add: In the stupid, sleeping human mind. Reality is not problematic. Take away human beings from this planet and life would go on, nature would go on in all its loveliness and violence. Where would the problem be? No problem. You created the problem. You are the problem. You identified with "me" and that is the problem. The feeling is in you, not in reality.
....
ISBN 0-00-627519-2


这消息,我得消化一下 = I have to let the news sink in first.

Friday, June 12, 2009


如果这个告示出现在非英语国家,一定被人耻笑。地点:伦敦Paddington火车站的行李寄存处。如果看不明白,我可以作以下修改:
(1) Lost Left-Luggage Tickets
or
(2) Lost (第一行)Left Luggage Tickets (第二行)
or
(3) Lost Your Left-Luggage Ticket?
or (更有人情味一点,符合所谓的Plain English Movement)
(4) If you've lost your luggage ticket...



有些公共场所的信息栏,表面上看等于没说,但再一想,制作者也没办法,因为篇幅有限,如果真地不说,就要另外安排人力回答一些很简单的问题,所以还是搞个信息栏,先把最基本的信息给你再说。

这就是一例。地点:伦敦希斯罗机场三号航站

Thursday, June 11, 2009


关于佛教的两点思考:

(1)家里放置佛像,对大多数人来说,是膜拜的对象;身上佩戴载有佛像或佛教符号或其衍生/延伸图符的配饰,对大多数人来说,是为了护身,为了保佑自己。其实,佛像或类似的物件,其首要功能应该是“提醒”。因提醒而检点,因检点而不造或少造恶业,这才是真正的保佑。

(2)庙宇的主要功能有二:出家人的生活与工作场所、在家人集中听经、静坐、悟道的场所。后来自然而然演化成“交易所”。各取所需本来无可厚非,但我怀疑其第二个原始功能现在是否能正常发挥。